Courses, News
Additive Tectonics
“When a structural concept has found its implementation through construction, the visual result will affect us through certain expressive qualities which clearly have something to do with the play of forces and corresponding arrangement of parts in the building, yet cannot be described in terms of construction and structure alone. For these qualities, which are expressive of a relation of form to force, the term tectonic should be reserved.”
— Eduard F. Sekler (1960), “Structure, Construction, Tectonics”, in Structure in Art and in Science.
Description
Advances in computational design methods and fabrication techniques provide new possibilities for architectural designers to consider different paradigms for design and making. These paradigms emphasize the relationship between formation and materialization. Through robotic additive manufacturing, designers can construct buildings or building elements quickly.
The studio “Additive Tectonics” explored the tectonic expression of additive manufacturing in different architectural contexts, from constructing affordable housing with earth materials to investigating the construction of settlements on other planets. The studio focused on the exploration of such architectural tectonics as an abstracted skin or wall system; a tower or a column as a structural element; a vault or a shell as a roof system; a hut or a shed; or other, new building tectonics. One-to-one structures were designed for the North Terrace at the University of Virginia’s Campbell Hall.
Students explored additive tectonics through three stages. The material system development stage demonstrated various materials—such as bio-based, bio-degradable, or bioplastic materials—and their properties and limitations in additive manufacturing. In computational design development, students considered the material properties and fabrication constraints in prototyping. Finally, robotic additive construction—which can be defined as abstraction, formation, rationalization, and materialization to explore novel tectonics—enabled students to execute their design prototype to examine their design’s tectonic potential in building an architectural element.
A series of integrative workshops supported this studio. Formation workshops introduced Grasshopper as a CAD software that can be used for form generation. Materialization workshops presented students with a numerical-based fabrication process. Students learned to control an industrial robotic arm and 3D-print tectonic prototypes.
Image Credit
E. Baharlou, University of Virginia, 2021.
Courses, News
Behavioral Robotic Fabrication
“A system is “soft” when it is flexible, adaptable, and evolving, when it is complex and maintained by a dense network of active information or feedback loops, or, put in a more general way, when a system is able to sustain a certain quotient of sensitive, quasi-random flow.”
— Soft systems, Sanford Kwinter.
Description
Advances in design computation methods and fabrication processes provide new possibilities for designers to explore the manifestation of form in terms of materialization. Form manifestation can be investigated through behavioral approaches that are associated with basic material characteristics and fabrication parameters. Behavior-based approaches expand the design solution space, which previously was unavailable for designers restricted to top-down processes. Behavioral fabrication is a bottom-up process of integrating fabrication constraints and capacities into design processes.
The elective course “Behavioral Robotic Fabrication” introduced students to behavioral fabrication in architectural design. Students learned basic robotic fabrication processes that have been applied in architectural design thus far. Students were introduced to advanced robotic controls for digital fabrication and explored experimental robotic fabrication processes in art and architectural design. Accordingly, students gained practical experience in robotic fabrication by working with an industrial-scale robot, KUKA KR AGILUS.
This course focused on behavioral aspects of robotic fabrication processes, such as on-line, responsive, or interactive robotic controls. Students investigated different types of robotic fabrication tools (end-effectors) to build a custom end effector. Through sensory systems, students developed a soft system to adapt the physical realm of fabrication to the digital design environment.
Image Credit
G. Brugnaro, ICD, University of Stuttgart, 2015.
Courses, News
Introduction to Computational Design and Construction
“The manifest form—that which appears—is the result of a computational interaction between internal rules and external (morphogenetic) pressures that, themselves, originate in other adjacent forms (ecology). The (pre-concrete) internal rules comprise, in their activity, an embedded form, what is today clearly understood and described by the term algorithm.”
— Who is afraid of formalism?, Sanford Kwinter.
Description
The elective course “Introduction to Computational Design and Construction” was complementary to the advanced research studio “Wood Proto-architecture I”, offered the same year. Advances in computational design and fabrication techniques provide new possibilities for designers to explore the manifestation and materialization of form. This course introduced students to these methods in design and construction. These approaches allow architects to consider material and fabrication characteristics in the early stages of the design process.
This course provided students with basic knowledge of developing computational design techniques in architecture that can be seamlessly integrated into design and fabrication processes. This introduction enhanced students’ knowledge in computational design by developing associative and algorithmic design strategies. Students investigated relatively simple mathematical and physical principles to generate complex geometries in the context of proto-architecture. This generative approach provided an algorithmic understanding of developing physical materialization.
Concurrently, the course focused on digital fabrication processes that integrate computational manufacturing techniques’ limitations and possibilities into design processes. Students learned robotic fabrication and advanced robotic control for digital fabrication. Accordingly, students gained hands-on experience working with the industrial-scale robot, KUKA KR AGILUS. Thus, students were introduced to a fabrication-driven method that provides a new approach in the design of complex geometric forms.
Image Credit
J. Höll and G. Kazlachev, ICD, University of Stuttgart, 2013/14.
Courses, News
Wood Proto-architecture I: Integrating Design Computation and Materialization
“It is a question of surrendering to the wood, then following where it leads by connecting operations to a materiality, instead of imposing a form upon a matter.”
— A Thousand Plateaus, Gilles Deleuze and Félix Guattari
Description
The advanced research studio “Wood Proto-architecture: Integrating Design Computation and Materialization” investigated the generative potential of material and fabrication agencies in [proto-]architecture. Considering these agencies within tectonic systems requires an understanding of material organization and fabrication systems in interaction with environmental effectiveness. This studio explored computational methods to amalgamate these active agencies into design processes. The aim was to explore integrative design computation, which unfolds specific material gestalt and related performative capacities without differentiating between processes of computational form generation and physical materialization. This integrative process is a prototypical exploration to study the emergence of a tectonic form.
The studio introduced students to the concept of integrative design computation in architecture. This concept is two-fold: developing material systems and exploring related fabrication tools. The proposed material system was wood, which has high performance and adaptation. Students investigated the anisotropic nature of wood to understand tectonic potentials of wood morphology in design processes. Concurrent with developing material systems, students explored the potential of digital fabrication tools, such as Industrial Robots or CNC machines, as a generative driver in design processes.
The synthesis of these two agencies was further explored by developing a computational design framework to minimize the gap between formation and materialization. To achieve this, students developed computational design strategies and conducted a series of small-scale experiments. Students then refined their experiments and applied them to prototyping a scaled tectonic installation. The studio was supported by the elective course “Introduction to Computational Design and Construction,” which introduced students to computational design methods and digital fabrication processes.
Selected Project
Self-Forming Hygrosensitive Tectonics | Developed by: Yin-Yu Fong, Kirk Gordon, Nicholas Grimes, Mengzhe Ye
Image Credit
M. Alvarez and E. Martínez, University of Stuttgart, 2016.
